KAABIL- Like Seriously? This is what you want to sell in 2017?
TIME- 1:00 A.M.
ME- Trying to sleep but my distracted, perturbed mind
refuses to stay at peace. Finally I open up my laptop.
ROOMMATE- making your project?
ME- Nope. Time to upload a blog.
ROOMMATE - It’s 1 A.M. Is it that necessary.
Yeah. It is necessary darling. The hurricane of thoughts
that have been started in my mind after watching Kaabil won’t
settle down and won’t let me sleep till I vomit it all out in the most
ferocious way , the intensity reflecting the deep emotional disturbances that I
am fighting at present.
Well here is how the most insensitive part of the movie
goes- The woman in the lead is raped and she commits suicide leaving suicide
note saying “mere sath jo hua wo mai le sakti hu lekin tumhe tutte hue nhi dekh
sakti” showing how even an independent,
educated woman like her can blame
herself for the assault on her. Like seriously? You actually want to sell this
in 2017?
Well I certainly believe that art and culture should have
no boundaries but it is extremely important to be immensely careful not to show
insensitivity to the sensitivity of humans specially when India is fighting
against the menace of women being objectified by a patriarchal and feudalistic
mind-set where it is so unfairly believed that first the father owns her and then her husband.
The filmmakers of Kabil have just showed how even an educated and independent woman’s
thought process could be so influenced with this notion-of-past. The lead women
has actually made it appear as if her rape was an attack on her husband’s ego
and self respect forcing her to commit suicide. Did she actually believe that
her rape was her fault just because she stepped out of house?
Dear actors, it is very easy to tweet and sympathise, criticize any
injustice happening to women but it
takes immense sense of moral responsibility for the same actor to say “NO”
while enacting any absurd and morally insensitive scene in the movie. If Kabil
only wanted to sell action it could definitely have been done by some other way
instead of portraying to audience how a misogynistic hero made an independent and
a well educated woman remind her of her subordinate status and how
she feels solely responsible for all the unacceptable and highetened brutality
on her.
Kaabil has only strengthened the point how a patriarchial
society doesn’t think twice about shaming a rape survivor who is supposed to worry more about “family honour” than on her own distress.
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